Marathi TV actors
Yes, many Marathi actors have successfully crossed over to the Hindi film industry, showcasing their talent and versatility on a larger platform. The rich pool of acting talent in Marathi cinema has often caught the attention of Bollywood, allowing actors to make their mark beyond regional boundaries club riches casino. Several Marathi actors have seamlessly transitioned into Hindi films, using their acting skills and unique charm to carve a niche for themselves. Actors like Nana Patekar, Atul Kulkarni, and Sharad Kelkar, among others, have established themselves in Marathi and Hindi cinema. They have brought their distinctive styles and performances to Bollywood, taking on diverse roles that span across genres. Nana Patekar’s intense acting and powerful screen presence have earned him recognition in Hindi films, with notable performances in movies like «Parinda» and «Krantiveer.» Atul Kulkarni’s exceptional range has allowed him to excel in both languages, portraying characters with depth in films like «Rang De Basanti» and «Page 3.» Marathi actresses have also made their presence felt in the Hindi film industry. Mukta Barve, known for her remarkable performances in Marathi cinema, garnered attention with her role in «Jugjugg Jeeyo.» Amruta Khanvilkar, after establishing herself in Marathi films, ventured into Hindi cinema with movies like «Raazi» and «Malang.» These crossovers demonstrate the versatility and calibre of Marathi actors, allowing them to showcase their talent on a broader canvas.
A veteran actor, Vikram Gokhale is known for his commanding presence and powerful performances. His portrayal of iconic historical figures in movies like Lalbaug Parel and Anumati has earned him critical acclaim.
Seema Biswas is known for her powerhouse performances in Marathi and Hindi cinema. Her portrayal of the legendary Marathi saint in Saint Tukaram garnered critical acclaim and highlighted her dedication to portraying strong, influential characters.
Known as the First Superstar of Marathi cinema, Dr Kashinath Ghanekar was a remarkable actor and playwright. His portrayal of legendary Marathi theatre personalities like Purushottam and Sakharam Binder is etched in the annals of Marathi theatre history. His contribution to Marathi cinema and theatre is celebrated to this day.

Marathi film industry actors
Sumeet Raghavan was born in Mumbai, Maharashtra, India, on April 22, 1971. He is an Indian film and television actor best known for his roles in Wagle Ki Duniya – Nayi Peedi Naye Kissey, Hudd Kar Di, Sarabhai vs. Sarabhai, Sajan Re Jhoot Mat Bolo, Sarabhai vs. Sarabhai: Take 2, and Badi Door Se Aaye Hai. While studying at Sandipani Ashram, he played the role of Sudama in B.R. Chopra’s Mahabharat serial. Raghavan lives in Tamil Nadu. Chinmayee Surve is his wife.
The Marathi film industry is based in Mumbai, Maharashtra, and is known for its strong focus on social realism, experimental filmmaking, and art house cinema. Marathi films often explore themes of social injustice, poverty, and the human condition.
Mangesh Desai is celebrated for portraying iconic personalities, such as Bal Gandharva in Bal Gandharva and Narendra Modi in Ekk Albela. His transformative performances demonstrate his dedication to bringing historical figures to life on screen.

Sumeet Raghavan was born in Mumbai, Maharashtra, India, on April 22, 1971. He is an Indian film and television actor best known for his roles in Wagle Ki Duniya – Nayi Peedi Naye Kissey, Hudd Kar Di, Sarabhai vs. Sarabhai, Sajan Re Jhoot Mat Bolo, Sarabhai vs. Sarabhai: Take 2, and Badi Door Se Aaye Hai. While studying at Sandipani Ashram, he played the role of Sudama in B.R. Chopra’s Mahabharat serial. Raghavan lives in Tamil Nadu. Chinmayee Surve is his wife.
The Marathi film industry is based in Mumbai, Maharashtra, and is known for its strong focus on social realism, experimental filmmaking, and art house cinema. Marathi films often explore themes of social injustice, poverty, and the human condition.
Marathi actors in Bollywood
शरद केलकर ने वर्ष 2004 में बिपिन नडकर्णी की फिल्म ‘उत्तरायण’ से मराठी सिनेमा में डेब्यू किया था. इसके बाद उन्होंने’हलचल’ से बॉलीवुड इंडस्ट्री में कदम रखा और अब तक वो कई सारी फिल्मों का हिस्सा बन गए. शरद ने बाहुबली के किरदार को आवाज देकर अपने करियर में नई उड़ान भरी थी.
मी शिवाजीराजे भोसले बोलतोय या चित्रपटातील दिनकर भोसले हा मराठी माणसाला नवी उमेद देऊन गेला. एक वेगळी संकल्पना आणि शैली असलेल्या या सिनेमाच्या माध्यमाने सचिन खेडेकर हे घराघरात पोहचले. त्यांनी मराठीसह हिंदी, गुजराती, तेलुगु, मल्याळम, तमिळ अशा भाषांमध्ये काम केलेले आहे. त्यांनी केलेली नेताजी सुभाषचंद्र बोस भूमिका प्रेक्षकांना खूप आवडली. सचिनजींनी तेरे नाम, रुस्तम, गुरु, 13 B, सिंघम, अग्निपथ, जुडवा 2, फोटोग्राफ या सारख्या बर् याच सिनेमांमध्ये अभिनय केलेला आहे. अस्तित्व, काकस्पर्श, बापजन्म, कच्चा लिंबू हे त्यांचे गाजलेले मराठी चित्रपट आहेत. सध्या ते कोण होणार मराठी करोडपती या कार्यक्रमामध्ये व्यस्त आहेत.
अमिताभ बच्चन यांच्यासाठीचा सुवर्णकाळ मानल्या जाणार् या सत्तरीच्या दशकामध्ये प्रेक्षकांना सतत अ ॅक्शन, ड्रामा असलेल्या चित्रपट पाहावे लागत होते. या काळामध्ये सामान्य मध्यवर्गीन पुरुषांच्या आयुष्यावर भाष्य करणार् या चित्रपटांमधून अमोल पालेकर लोकप्रिय झाले. त्यांचे या दशकातील रजनीगंधा, छोटीसी बात, चितचोर, बातो बातो में, गोलमाल हे चित्रपट मध्यमवर्गीयांसह सर्व प्रकारच्या प्रेक्षकांच्या मनाला भावले. त्यांनी स्मिता पाटील यांच्यासोबत काही सिनेमांमध्ये एकत्र काम केले होते. सिनेसृष्टीमध्ये पदार्पण केल्यावर लगेचच ‘शांतता कोर्ट चालू आहे’ या मराठी सिनेमांमध्ये काम करायची संधी मिळाली. अमोल यांनी मराठी, हिंदी, बंगाली, कन्नड, मल्याळम आणि तेलुगु सिनेमांमध्ये काम केलेले आहे. अभिनयासह ते दिग्दर्शन देखील करतात. त्यांनी अनेक चित्रपट आणि नाटक दिग्दर्शित केले आहेत. झी 5 वरील 200 हल्ला बोल या सिनेमांमध्ये अमोल पालेकरांना महत्त्वपूर्ण भूमिका केलेली आहे. त्यांना गोलमाल या चित्रपटासाठी 1979 साली फिल्मफेअर अवॉर्ड फाॅर बेस्ट अ ॅक्टर हा पुरस्कार मिळाला होता.
Veteran actor Mohan Joshi has been around for more than three decades and he is known for his acting skills which made him work in many different industries. He has appeared in several Bollywood films like ‘Vaastav’, ‘Bicchoo’, ‘Baghban’, ‘Gangajal’ and many more.